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Music Knows No Caste

After garnering critical acclaim and winning the FIPRESCI Award at the Bangladesh International Film Festival 2022, Bangladeshi filmmaker Shabn...

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Gehraiyan – Yes or No?!

Monojit Lahiri investigates how deep is deep in extra-marital journeys, in reel and real life.

DILIP KUMAR: THE BIG BURGLAR

Dilip Kumar burgles his way into the performance of every Indian actor of substance whether the actor likes it or not, writes Kamlesh P...

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When R.D. Burman met the Jazzman

Edited excerpts from the book Louis Banks: A Symphony of Love by Ashis Ghatak

As a young ...

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Tale of Two Cities

A photo-essay by Ashish Ghatak on the striking parallels between Mumbai and his hometown Kolkata.

At Vanishing Point

As one more beautifully-architected bungalow on Little Gibbs Road bites the dust, Khalid Mohamed writes on the changing face o...

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Salim Arif: His Work of Many Parts

It is a daunting task to undertake summarising Salim Arif’s multifaceted talent and work resume in a few pages, writes ...

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That Classic Conflict: Bandish Bandits

Khalid Mohamed reviews the web series Bandish Bandits… and more fare currently showing on the streaming channels.

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No Entry: Hazards in staging a theatre play in Mumbai

Khalid Mohamed recounts his peril-fraught, one-off experience in staging ‘Kennedy Bridge’, a play on yesteryear&rs...

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An Interlude

Sathya Saran talks about her journey when writing on Pandit Hariprasad Chaurasia and she shares an excerpt from the book she h...

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